Journeys

Inspired by painted ceramics and porcelain from diverse cultures, this series reimagines their forms and patterns. Through recreation, fusion, and simplification, the objects are stripped of their familiar contexts and assume new artistic references.

Presented frontally, their minimalist surfaces challenge traditional symbolism, raising questions about emptiness, fullness, and cultural memory. By removing shadows, the still lifes become weightless, suspended in time, embodying the paradox of inanimate objects within infinity. Finally, some of the objects are empty while others are full. With the interplay of time and space, who can be certain of the void of emptiness, or how full the full truly is?